#A flat melodic minor scales how to#

The differences are all based on the approach to the tonic, or starting pitch, of the scale. While there is only one heptatonic (meaning seven tones) major scale, there are three different heptatonic minor scales. The A Natural Minor scale, with the intervals between each pitch notated as a W (whole-step) or h (half-step).ДЇollowing the same pattern, the relative minor of D Major is B Minor: B, C#, D, E, F#, G, A, B. The natural minor scale starting on A is just a C Major scale with a different starting pitch: A, B, C, D, E, F, G, A. The minor key area related to a major key in this way is known as the relative minor of the major key youвЂ™re using to find it.ДЇor example, the relative minor of C Major is A Minor. To build the natural minor scale, you take the major scale formula but start it on the sixth scale degree (for more on the major scale, check out our article here).Д«ecause of this relationship between major and minor, you can take any major scale and start it on the sixth scale degree of the scale in order to find a natural minor scale. Whole-step, half-step, whole-step, whole-step, half-step, whole-step, whole-step. The intervals separating the seven scale degrees of the natural minor scale follow the pattern: Each of the minor scales contains the same first five scale degrees, which only leaves scale degrees 6 and 7 to differentiate between the three scales. We will use these numbers to distinguish between the scales.ДЄnother similarity between each of the three types of minor scales is in the first five pitches. First of all, they are each heptatonic scales, which means that they are each composed of seven distinct pitches before repeating.Д®ach of these pitches is assigned a number, or scale degree, from 1-7. The three scales that are the focus of this article have a lot in common. HereвЂ™s a quick overview of the formulas before diving deeper into each of them individually. The Difference Between Natural, Harmonic & Melodic Minor Oftentimes, when we get stuck on a particular chunk of melody, all it means is that we have chosen the hammer when we needed the saw. On top of this, because the diminished arpeggio inverts in minor thirds, we can blaze through these ideas all over the neck no problem at all by moving each shape a whole step and a half, aka minor thirds.Essentially, a scale is just a collection of pitches.Д®ach scale is curated for a particular purpose, so choosing a scale is like choosing a tool.Дifferent compositions call for different scales, in the same way that different carpentry projects call for different woodworking tools. This allows us to play a chromatic run really easily following the diminished arp. Part of the reason these ideas work so well is that we can вЂfill in the gapsвЂ™ in between the minor third interval from our index finger to our pinky on the highest string at the top of each arpeggio. Check out the diagrams below, this will make it more visual and make more sense. Most of these ideas will use string groups D вЂ“ G вЂ“ B and G вЂ“ B вЂ“ E. LetвЂ™s start by looking at the different forms of Diminished 7th Arpeggios. All the examples in this lesson are based on F# Diminished 7th. Inspired by Jeff Loomis, these types of insane diminished ideas will force you to re-think what is possible with diminished playing. Scary sounding stuff! As if diminished 7th arpeggios werenвЂ™t evil and twisted sounding enough for you, weвЂ™re going to combine them with chromatic runs using all 4 fingers. Lets get into this lesson and check out the 8 string melodic minor modes. With a high A string we can now span 4 octaves in a single position, on top of this the chordal possiblities are amazing.

To me this unlocks many more possiblities than an additional low string. Going one lower AND one HIGHER made much more sense. For me, a low B or even drop A provides all the low end I could ever need, on top of this, I donвЂ™t have a really long scale length and fretboard to deal with. While I like low F# 8 string music IвЂ™ve never been a fan of playing those guitars myself. I have a fanned fret guitar with a 26 to 23 inch scale length so my guitar was specifically built for this tuning.

#A flat melodic minor scales how to#

WeвЂ™ll also touch on the Pentatonics of Melodic Minor and how to find them within each mode of this scale. In this lesson weвЂ™re going to look at the Melodic Minor Modes using an alternative tuning for 8 string guitar. High A tuning? What is this mysterious extra high string you speak of? ThatвЂ™s not a proper 8 string guitar! An extra high string? WeвЂ™ve heard it all.